I’m playing with clay.
Author: David Meredith
I had an idea about birds…
Consuming and Doing
Yesterday I bought some art.
Nine or ten years ago I bought a painting by Isobel Henihan. It’s a lightship moored in Dun Laoghaire harbour beside the lifeboat.
I loved it then and I still love it now. I particularly love the reflection of the lightship on the water and, of course, the Dun Laoghaire connection. I kept a look out for Isobel’s paintings since then but I understand that in the intervening period she was kept busy with motherhood.
She’s recently become active again with what I think is a new burst of energy and confidence. I follow her on Instagram and so I get to see new drawings and paintings as they emerge. (She follows me too and has been very generous to me with her likes.)
Late last week she put up a small painting that I fell in love with. It’s a view from Sandymount Strand across to the Pigeon House chimneys. It’s got great movement, energy and freshness and the sky is boldly represented. On Saturday, I went to the Doorway Gallery on South Frederick Street (another place with an emotional resonance – it’s where my dad’s office was) and bought it. No hesitation. It’s even more dramatic in real life. It’s currently with Bernard of Terenure Framers, but here’s a pic of it.
I also bought a print yesterday and you’ll see a recurring theme here. To me, the Pigeon House chimneys are Dublin, much more than any other structure I can think of. And it struck me recently that I don’t have anything on the wall that features them.
Susan Early is a print artist that I like. Many of her themes resonate with me strongly: Dun Laoghaire, lighthouses, Sligo. I bought one of her prints a year or so ago. It’s of the five lighthouses one passes leaving Dublin Port: North Wall, Poolbeg, Bull Wall, Baily and Kish. I love her detail and sense of atmosphere.
This is what I bought yesterday …
Happy with my pictures
Today, I tried a little crochet with string …
Used puffy paint (not very well) on a pebble …
Made some things out of air dry modelling clay I bought yesterday in Sostrene Grene …
Later I’ll try to remind myself how to play the guitar, something I’ve been a bit lazy about recently.
Who needs wool?
Granny squares, Christening shawls, baby hats. I think crochet has an image problem.
How about crochet for men? Using man materials. Man-chet. Rrrrrrr!
I had some paracord left over from a previous knotting project so I had a go at crocheting with that. The hook isn’t quite big enough but I persevered. It’s not any particular thing but I think it looks pretty good. Easier too, to find the holes through which to push the hook.
Tick. Tick …
Ticking over. Making stuff. Drawing. Dreaming. Keeping busy. That’s important. Keeping busy.
Carrying on crocheting. Getting the hang of the hook action but dealing with the ends of the rows is a bit of a nightmare. I’ll get the hang of it in time, I’m sure.
In Vienna, near the Hundertwasser Haus, there was a shop with some very cute ornaments hanging on a piece of beautiful Indian embroidered patchwork.
I’m having a go at the birds …
I’ll paint it when it’s dry.
Then. Teabags and pens.
So, I had a go at painting some tentacles
This morning, I was reflecting on beta-blockers. They were referred to in the book I’m reading at the moment, as having been prescribed to counter feelings of anxiety.
Some years ago, I was diagnosed with high blood pressure. I was prescribed some medication designed to lower it. The medication made my ankles swell up and, when I reported this to my GP, he reduced the dose and prescribed beta-blockers to be taken in addition. Previously, I had only heard of beta-blockers as something that snooker players took to help steady their cue hands. The combination of medications was effective in lowering my blood pressure and I thought nothing more of it.
This was around 2015 and I did notice subsequently that I had slowed down a bit. I didn’t seem to have much energy. I’d fall asleep in front of the TV or find myself staring into space in work. I put this down to getting older.
Following a procedure to address some atrial fibrillation I’d been having, another doctor altered my prescription in late 2017, lowering my dose of beta-blockers. Well, my goodness, it was like being poked in the face with a sharp stick and I haven’t looked back. The fog of indolence lifted and I felt as if I had twice the energy that I had before. And so it is to this day and hopefully for the foreseeable future.
There ARE downsides. Too much thinking, sometimes obsessively. Not enough sleep. Some anxiety and hyperactivity. Occasional frustration and impatience. Stressing over unimportant issues. Throwing things and shouting (but not at other people, I hasten to add). Putting the energy to good use by, for example, engaging in creative stuff, helps to counteract some of these, however. I rarely achieve calm though, unless I become absorbed in an alternative activity. That can get a bit wearing, to be honest, and occasionally I crash.
That’s got nothing to do with the stuff I’ve been doing in the last few days. I just wanted to get those thoughts out of me and on to a page.
I saw this on Instagram and decided to have a go. I drew a heart shape, some leaves and flower shapes, cut them out with a sharp knife and laid them on top of a contrasting background. Quite a nice effect and easy enough to do.
In the last post, I mentioned that I had made a bags of a macrame bracelet. So I made another one. I kept away from the superglue this time and so the slip knot slips in the correct manner.
I haven’t done any wood carving for ages. One of the reasons is that I’m not very good at sharpening tools and some of them are a bit blunt. The guy who runs the firm I bought my carving axe from, Robin Wood (yes, I know!), suggested making sanding/sharpening blocks out of wood and very fine gauge sandpaper. I bought the sandpaper in Halfords ages ago, but I only got around to buying the wood to make the blocks with on Friday. So I made the sanding blocks today. Here’s the process …
Yesterday I popped into Evans art supply shop and bought a few tubes of Holbein Acryla Gouache. Just black and white. One of the properties of gouache is that, once dry, it can be reactivated very easily by water or other paint. One consequence of this is that if you paint a light colour on a dark background, the paint can mix and become muddy. Acryla gouache doesn’t reactivate.
Finally, on holiday, I started doing some sketches in a journal I keep to record the arty stuff I been doing. You’ll have noticed the lined paper on which some recent paintings have been done. I like doing this. Much of the art I’ve done over the last year is scattered randomly in my attic so doing them in the journal keeps everything in order and means I can track my progress, in painting anyway. Also, it makes the journal more interesting to review.
Here’s today’s page, with the writing ‘artfully’ blurred.
This morning, as well as thinking about beta blockers, I thought, pretty randomly, about the chef Ken Hom and wondered what had become of him. In the gym later, I happened to glance at one of the few remaining TVs and, what do you know, there he was, cooking stuff. I wrote about co-incidences recently and paying attention to them. There was the weirdest string of them at the start of last week. Too complicated to explain but ultimately, positive.
I’m off to adjust my chakras.
Tetley Tea Folk
A painting on a round teabag popped up in my Instagram feed recently. It was really well done: a dark background with a boat seen from above. Actually, I mentioned it before. It was the inspiration for my rowing boat painting a few posts back.
Google eventually told me that Tetley put their tea in round bags and so I started trying to find Tetley teabags in supermarkets. Tesco didn’t have them but we were walking past Dunnes in town last weekend and Christine suggested having a look in there. And what do you know? There they were. Special offer too. So now I have 160 of them.
I soaked a few, dried them out, emptied them, painted them black and came up with these, as a start. Both a little rushed but you get the idea.
Otherwise I’ve been sketching in snatched moments. There’s this …
And Newgrange …
And an androgynous imaginary friend … (people and faces are not a strength of mine – I gave up on his/her nose after five attempts.)
And last night, before I took Edward out in Christine’s car to practice his driving, I made a really lovely thin black macrame bracelet. I used superglue to fix the locking slip knot. Unfortunately I used too much and it no longer slips. Annoying but I won’t make that mistake again.
Here’s something a little more successful macrame-wise.
Almost forgot. I was messing around with lettering too …
That’s about it for now.
Maybe it’s the time of year (not my favourite, as I’ve explained previously). Or maybe it’s just circumstances. Maybe both. My mind has been buzzing over the last week. Not always in a productive way.
Sometimes art for me is pure therapy. Yesterday, I found some solace in mandalas and doodles: short periods of concentration on patterns and repetition that slowed my thoughts down and gave my head a break. It’s my form of meditation. It doesn’t last long, but it’s like taking my foot off the accelerator for a short period to stop the engine over-heating.
Rivers scare me. In the 1960s, when I lived in Glenageary, a neighbour drowned in the river Shannon. I overheard a conversation that suggested that he was wearing wellingtons when he fell off his boat and that they sucked him down into the river. That made a bit of an impression on me, as you might imagine, and I’ve been wary of rivers ever since.
I’m not too keen on lakes either. Not sure why. Rather irrationally, I kind of think that large bodies of water should be sea.
I do love the sea though. I love its saltiness, its wildness, its unpredictability, its colour and depth. I was a Sea Scout when I was younger and I learned to sail, row and canoe in the sea. In the summer months in my very early teens, a few of us from scouts used to hire a boat from Bulloch Harbour and fish. Sitting, chatting, fishing. Good times.
Anyway, today’s creative thing was inspired by an item on the Instagram feed of a Bangladeshi artist with the account name of @teabag_stories.
Here’s a close-up …
And here’s the whole teabag …
The colours are better in real life. The natural light was fading as I finished it and try as I might with phone and a proper camera, I couldn’t get a decent photo that accurately reflected the colours. The sea is actually a rather nice greeny-blue, painted in acrylic. The dingy and rower are painted mostly in gouache.
It’s that ‘back to school’ time of year, when people take a deep breath, gird their loins and get ready for the return to term time routine. It’s not my favourite time of year, to be honest. I love the relative freedom of summer, the absence of deadline pressure, the freedom to imagine, daydream, doodle mentally, be a bit late for things.
As a school-goer, I always dreaded the first day back. I don’t know what I was anxious about. Maybe just the unknown and new: timetables, teachers, classrooms. Maybe my peers: would my school friends still be friendly towards me? I’m really not sure. I just remember the tension and the fluttering in my stomach.
This is going to be a busy week, with two very important meetings and a load of other new term stuff to sort out. I’m glad about that because I need the distraction.
I doodled yesterday, mentally and creatively.
Here’s an overworked strawberry in gouache.
And a knotted/macrame dragonfly.
Here are some doodle doodles that I did when thinking about something else.
And then I botched a good idea about bamboo in the moonlight. I’m not even going to put it up here because it ended up an embarrassing mess. Well, OK, here it is. (I did say to myself that I’d put up the bad and the OK.) The bamboo element wasn’t working so I changed it as I was going along and then I wasn’t sure what it was. It was six trees, then three, then five. Ugh.
Christine bought me a book on wabi-sabi, a Japanese concept concerning finding beauty in imperfect, old, repaired or broken things. There’s a lot more to the concept but that’s it in shorthand.
In an early chapter, there was mention of Sogetsu, which is a school of Ikebana, Japanese floral art, or flower arranging, a strong and ancient Japanese tradition.
It reminded my of my mum who, for a large part of the 1960s arranged flowers competitively. This activity was a big part of all our lives then. Towards the end of the 1960s, I remember her being very keen on arranging flowers in a Japanese style. It was all about simplicity and a flowing shape. Not being able to find the sort of vases that she felt would allow her arrangements to have the maximum impact, she made some by melting old 78rpm records in the oven and shaping them by hand. The smell was dreadful.
A quick search in Pinterest revealed some lovely examples of Ikebana and I found that I had to get up early this morning to paint one.
The vase is overworked and I dropped a blob of water on the stem and had to do a bit of repair work, but I’m reasonably pleased with this.
We went for a bike ride this morning, along the Grand Canal to the 12th Lock close to Lucan. Training, really. Nice weather for it although the outward journey was predominantly uphill, against the wind. That made the homeward journey very pleasant, however: downhill, with the wind at our backs.
This is dreadful but I’m putting it here anyway because it doesn’t matter. It’s supposed to be the 8th Lock. This is the best bit of it. The stuff I cropped out was really pretty poor.
Later, I made a macrame bracelet out of hemp. I didn’t pay enough attention to the arrangement of the black and grey cords and so their distribution is uneven and a bit haphazard. Pity. But it’s wearable.